Elisa Silva was invited to speak at the VII Cisneros Foundation Seminar titled “Disruptions: Dilemmas Regarding the Image in Contemporaneity” curated by Ileana Ramírez. It considers art´s link with politics as it operates to construct new subjectivities, and encourage questioning of what Jacques Rancière called “the aesthetic and representative logic of art”. The event took place March 16 2018 at the Chacao Cultural Center. Elisa’s intervention centered on the relationship of Caracas’ inhabitants with the real city, denied and replace by a plutonic and narcissistic love that is disengaged and inoperative. A dysfunctional relationship and missed timing, as exemplified in Félix González Torres´ 1989 piece “Perfect Lovers.”

Elisa Silva was invited to speak at the VII Cisneros Foundation Seminar titled “Disruptions: Dilemmas Regarding the Image in Contemporaneity” curated by Ileana Ramírez. It considers art´s link with politics as it operates to construct new subjectivities, and encourage questioning of what Jacques Rancière called “the aesthetic and representative logic of art”. The event took place March 16 2018 at the Chacao Cultural Center. Elisa’s intervention centered on the relationship of Caracas’ inhabitants with the real city, denied and replace by a plutonic and narcissistic love that is disengaged and inoperative. A dysfunctional relationship and missed timing, as exemplified in Félix González Torres´ 1989 piece “Perfect Lovers.”